Set Up the Computer for Midi Recording and Midi Playback of the Roland Accordion

Nine MIDI Tracks

Set up a Midi track on the computer DAW for each Roland Accordion channel.

Set the input and output of each track to be the Roland Accordion.

The channels are:

• 1
• 2
• 3
• 4
• 5
• 6
• 7
• 10
• 13
  
  

Record All of the Channels

Set all of the channels to record.

To hear your playing, turn up the accordion Volume knob and connect headphones or an external speaker.

Then begin recording. 

End the recording

Save the Project file.

Play All of the Channels

To hear your playing, turn up the accordion Volume knob and connect headphones or an external speaker.

Then play the Project file on the computer.

Midi Program Change Message Information for Roland Accordion

Midi Program Change Options per Channel for Roland Accordion

Program Change information reflects the setting of the channel when playing the accordion as well as the requested setting of the accordion from the computer when playing from the computer. For Ableton, the Program Change information is stored in the each track's Clip Notes Program field. The following options per channel are available on the FR-1x. Similar options are available on the FR-4x.

• One -- 1 through 14, for each right-hand register
• Two -- 1 through 7, for each left-hand bass register
• Three -- 1 through 7, for each left-hand chord register
• Four -- 1 through 14, for each right-hand Orchestra register and 27 through 30 and 37 through 40 for each right-hand Organ register
• Five -- 1 through 7, for each left-hand Orchestra bass register
• Six -- 1 through 7, for each left-hand Orchestra chord register
• Seven -- 1 through 7, for each left-hand Orchestra Free Bass register
• Ten -- Drums (They are available only on channel ten.)
• Thirteen -- 1 through 16, for each Sound Set (Channel 13 will only contain the Sound Set Program Change. It will change the tone of channels one through seven.)

Ableton and Roland Accordion Midi Integration

Audio-Midi Divide

Roland and other electronic accordions amazingly integrate mechanical music systems with electronic sounds. Once you get past the power cord and batteries, you enter the world of cables and connections.

The Audio (analog) electronic waves of varying voltage extend through cable or wireless connections to headphones and speakers. These signals can be recorded into mp3 and wav files, where they can be played later and also be combined and edited on a computer. These signals can be digitally sampled and manipulated.

The MIDI (Musical Instrument Digital Interface) signal is digital from the start. It requires a separate arrangement of cables and connections as well as computer hardware and software known as a DAW (digital audio workstation). Ableton is one such computer software that works with both audio and midi information. 

Midi Morass

A general comparison between audio and midi is that one works and the other does not. A goal would be to get midi working to the level of audio. Given that digital starts with two values, zero and one, and then builds up to countless layers and complexities, it is most likely not to work. So getting a midi system working is the result of many small victories.

The Roland accordion can establish a two-way digital connection with a computer DAW by using a USB cable. The computer can now record the midi information from the accordion as well as send midi information to the accordion.

Operating the Roland Accordion from the Computer

The FR-1x accordion responds to midi signals from a computer when the accordion parameter setting ESQ (external sequencer) is set to YES. It is located far down the Parameter List after UPG, SND, and SAV. Press on the Set button to enter the Parameter Setting Menu. Press Register Switch 4 forty-three times to get to ESQ. Then press Register Switch 2 to set ESQ to YES.

Similarly on the FR-4x accordion, set Ext Seq (ESQ) to YES. Press the Menu button to enter the Parameter Setting Menu. Press the Right Arrow eleven times to reach the System heading. Press the Enter button and press the Right Arrow twenty-one times (or press and hold the Right Arrow button) to reach the MIDI  sub-menu. Press the Enter button and press the Right Arrow button twice to reach the Ext Seq (ESQ) entry. Press the Enter button then the Plus button.

Midi has sixteen independent channels, but defaults to channel one. The Roland accordion uses many of the channels. So, the computer will work best with the accordion when it is recording and playing on a separate track per channel. The following Midi channels are used on the Roland accordion.

• One -- right-hand Accordion
• Two -- left-hand Accordion bass and Free bass
• Three -- left-hand Accordion chord
• Four -- right-hand Orchestra/Organ
• Five -- left-hand Orchestra bass
• Six -- left-hand Orchestra chord
• Seven -- left-hand Orchestra Free bass
• Ten -- left-hand Drums
• Thirteen -- Sound set selection

Touchy Feely

Orchestra

Press the Orchestra button and go down the rabbit hole.

Consider the four Register switches on the Roland FR-1.

Switch 1 gets strings and vocals -- violin, soft vocals (ooh, or strike key strongly for ahh and a drop), harder vocals, and string ensemble.

Switch 2 get brass -- trumpet, trombone, french horn, and brass choir.

Switch 3 gets woodwinds -- flute, tenor saxophone, clarinet, and oboe.

Switch 4 gets piano, guitar, mandolin, and harpsichord with strings.

Bellows

For Switches 1, 2, and 3, operate the bellows as you would your diaphragm when playing wind instruments or singing, or your bow on a string instrument.

Play short, detached, and accented note.

Play a longer note with an initial attack, then a swell, then a drop-off of air pressure.

Play a longer phrase of notes that builds to a peak then drops off.

Work to achieve a characteristic sound for the instrument and play notes (pitches) within the range of the instrument.

Key Strike

For Switch 4, you can keep the bellows shut. The bellows has no effect.

The speed and force of the key strike affects the sound.

Switch 4 is a great area for practicing the evenness of your fingering.

An interesting effect with the mandolin is quick key presses give single notes. 

A slightly longer press gives a tremolo. 

So, play the single notes short, and hold the longer notes slightly longer to get a tremolo.

Dual

Pressing the Set switch then pressing Switch 4 turns Dual Mode on and off.

With Dual Mode on, you get the accordion and the orchestra instrument.

With Switches 1, 2, and 3, both instruments are affected by the bellows.

The accordion and the trumpet, or the tenor saxophone, or the clarinet provides a pleasing sound.

With Switch 4, you can blend between the two instruments. Using no bellows will give only the orchestra instrument. Adding in bellows will add in the accordion. Adding in a lot of bellows will sound mostly the accordion. So, you can effectively play between two instruments.